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    Spreadin' Rhythm Around: Black Popular Songwriters 1880-1930

    Beschreibung Spreadin' Rhythm Around: Black Popular Songwriters 1880-1930. Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny"), Bert Williams ("Nobody"), W. C. Handy ("St. Louis Blues"), Noble Sissle, Eubie Blake ("I'm Just Wild About Harry"), and many more. Richly illustrated with rare photographs from sheet music, newspapers, and other unique sources, the book documents an entire era of performance when black singers, dancers, and actors were active on the New York stage.In sheer depth of research, new information, and full coverage, Spreadin' Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song. For anyone interested in the history of jazz, pop song, or Broadway, this book will be a revelation.



    Buch Spreadin' Rhythm Around: Black Popular Songwriters 1880-1930 PDF ePub

    Spreadin' Rhythm Around: : Jasen, David A, Jones ~ "Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930" is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by "Publishers Weekly" as "thoroughly researched and entertainingly written," this work documents the careers of songwriters such as: James A. Bland - "Carry Me Back to Ole Virginny"; Bert Williams - "Nobody "; W. C. Handy - "St. Louis Blues "; Noble Sissle and Eubie Blake .

    Spreadin' rhythm around : Black popular songwriters, 1880 ~ Spreadin' rhythm around : Black popular songwriters, 1880-1930 Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress hosted blogs and archive item <description> tags) Want more? Advanced embedding details, examples, and help! No_Favorite. share. flag. Flag this item for. Graphic Violence ; Graphic Sexual Content ; texts. Spreadin' rhythm around : Black .

    Jasen / Jones / Spreadin' Rhythm Around / 1. Auflage ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny"), Bert Williams ("Nobody"), W. C. Handy ("St. Louis Blues"), Noble Sissle, Eubie Blake ("I'm Just .

    David A Jasen, Gene Jones: Spreadin' Rhythm Around (eBook ~ David A Jasen, Gene Jones: Spreadin' Rhythm Around - Black Popular Songwriters, 1880-1930. Sprache: Englisch. (eBook epub) - bei eBook

    Spreadin' Rhythm Around: Black Popular Songwriters, 1880 ~ Book Description. Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song.

    Spreadin' Rhythm Around: Black Popular Songwriters, 1880 ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 by Gene Jones (2005-10-02) / / ISBN: / Kostenloser Versand fĂŒr alle BĂŒcher mit Versand und Verkauf duch .

    Spreadin' Rhythm Around: Black Popular Songwriters, 1880 ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 - Kindle edition by Jasen, David A, Jones, Gene. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930.

    Spreadin' Rhythm Around eBook by David A Jasen ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny .

    Spreadin' Rhythm Around: Black Popular Songwriters, 1880 ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song.

    The Darktown Strutters’ Ball – Wikipedia ~ (The) Darktown Strutters’ Ball ist ein Popsong, den Shelton Brooks verfasste und 1917 veröffentlichte. Er zĂ€hlt zu den ersten Jazz-Titeln, die auf Schallplatte aufgenommen wurden.. Hintergrund. Das von dem afroamerikanischen Songwriter Shelton Brooks (1886–1975) geschriebene synkopierte, vom Ragtime beeinflusste Lied The Darktown Strutters' Ball war von einem im Rahmen der Panama-Pacific .

    Spreadin' Rhythm Around: Gene Jones, David A. Jasen ~ Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as "thoroughly researched and entertainingly written," this work documents the careers of songwriters like James A. Bland ("Carry Me Back to Ole Virginny .

    Spreadin' Rhythm Around; Black Popular Songwriters, 1880 ~ Spreadin' Rhythm Around; Black Popular Songwriters, 1880-1930 JASEN, David A. and JONES, Gene

    Spreadin' Rhythm Around: Black Popular Songwriters, 1880 ~ : Spreadin' Rhythm Around: Black Popular Songwriters, 1880-1930 (9781138156753): Jasen, David A, Jones, Gene: Books

    James A. Bland - Wikipedia ~ Appearing as "The Prince of Negro Songwriters," he was invited to give command performances for Queen Victoria and the Prince of Wales. Music historian Alec Wilder calls Bland the black writer who "broke down the barriers to white music publishers' offices." Bland was one of the most prolific minstrel composers of all time; he is reputed to have written over six hundred songs, though only .

    Review Essay: "Something You Don't Expect": The Recordings ~ Liner Notes Bert Williams: The Middle Years Archeophone 5003Liner Notes Bert Williams: His Final Releases Spreadin' Rhythm Around: Black Popular Songwriters Jan 1910 1880-1930

    Will Accooe – Wikipedia ~ April 1904 in New York City, New York, Vereinigte Staaten) war ein US-amerikanischer Pianist, Organist, Songwriter und Dirigent. Er war einer der Pioniere in der FrĂŒhzeit der Entwicklung des Black Musical in den 1890er und frĂŒhen 1900er Jahren. Leben. Will Accooes Eltern waren der methodistische Geistliche John Harris Accooe (1852–1920) und dessen Frau Anna (1852–1920). Da Reverend Accoe .

    Maceo Pinkard – Wikipedia ~ Maceo Pinkard (* 27.Juni 1897 in Bluefield, West Virginia; † 21. Juli 1962 in New York City) war ein amerikanischer Komponist, Songtexter und Musikverleger.Er schrieb Revue- und Filmsongs. Zu Evergreens entwickelten sich seine Lieder Sweet Georgia Brown und Sugar (That Sugar Baby O’ Mine).. Leben und Wirken. Pinkard absolvierte 1913 das Bluefield Colored Institute.

    Black Bottom Stomp: ebook jetzt bei Weltbild als Download ~ Jansen and Jones togetehr have written two previous books, Spreadin' Rhythm Around: Black Popular Songwriters 1880-1930 , a winner of the ASCAP/Deems Taylor Award for best music book, and That American Rag: The Story of Ragtime from Coast to Coast .

    Art Laibly - Wikipedia ~ Arthur Charles "Art" Laibly (April 17, 1894 – October 30, 1971) was an American record producer and sales manager. He was the first to make commercial recordings of Blind Lemon Jefferson and Skip James, and also recorded many other notable blues performers including Charley Patton and Son House, for Paramount Records in the 1920s and early 1930s.

    Ernest Hogan - Wikipedia ~ Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first African-American entertainer to produce and star in a Broadway show (The Oyster Man in 1907) and helped to popularize the musical genre of ragtime.. A native of Bowling Green, Kentucky, as a teenager Hogan worked in traveling minstrel shows as a dancer, musician, and comedian.

    Black Bottom Stomp: Eight Masters of Ragtime and Early ~ Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz (MEDIA AND POPULAR CULTURE) / Jasen, David A., Jones, Gene / ISBN: 9780415936415 / Kostenloser Versand fĂŒr alle BĂŒcher mit Versand und Verkauf duch .

    Black Bottom Stomp Eight Masters Of Ragtime And Early Jazz ~ gene download it once and read it on your kindle device pc phones or tablets use features like bookmarks note taking and highlighting while reading black bottom stomp eight masters of ragtime and early jazz media and popular culture black bottom stomp eight masters of ragtime and early jazz media and popular culture 1st edition by david a jasen gene jones 2001 hardcover on com free .

    I Wonder What’s Become of Sally – Wikipedia ~ Das Songwriter-Team Ager-Yellen schrieb den Foxtrott I Wonder What’s Become of Sally als Reminiszenz an den Barbershop-Quartettgesang der Jahrhundertwende.Der vortragende SĂ€nger erinnert sich wehmĂŒtig an seine Freundin Sally und fragt sich, wo sie steckt; er fragt jeden, den er kennt nach ihr, in der Hoffnung, dass sie zu ihm zurĂŒckkehren wĂŒrde (my Sally, that old gal of mine).

    Bessie Smith – Wikipedie ~ Bessie Smith (15. dubna 1894, Chattanooga, Tennessee - 26. záƙí 1937, Clarksdale, Mississippi, USA) byla americkĂĄ bluesovĂĄ zpěvačka, pƙičemĆŸ v letech 1920 aĆŸ 1930 byla povaĆŸovĂĄna za nejlepĆĄĂ­ bluesovou interpretku. Spolu s Louisem Armstrongem je takĂ© často povaĆŸovĂĄna za největĆĄĂ­ umělkyni svĂ© Ă©ry.. KariĂ©ra. Bessie Smith začala svou kariĂ©ru jako pouličnĂ­ zpěvačka .

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